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Characters routinely stumble and regress there are no tidy “arcs.” According to Thomas’s longtime friend Tom Ward, who appeared on “Please Like Me” and has written for both shows, Thomas so dislikes sitcom clichés that he leans on people around him to supply authentically awkward material. I usually feel a bit startled and, honestly, a bit embarrassed I’m not behaving the way I think I should, because of television.” On Thomas’s shows, traumatic events aren’t cleanly processed. As Rose contends with her mental illness, Josh begins to come to terms with his sexuality.Īs Thomas observes in “Whoopsie Daisy,” fictional characters confronted with bad news tend to “really quickly understand the emotional ramifications, and then show all the emotions on their face.” He goes on, “I don’t do that. Josh’s parents are divorced, so he moves in. His mother, named Rose in the show, survives, but the hospital won’t release her unless she has someone to watch over her. In the pilot, Thomas re-creates the experience: Josh wakes up late the following morning to a slew of voice mails from his father, which he listens to in reverse chronological order, with mounting panic. On “Please Like Me,” the most striking element taken from his personal history is the first suicide attempt of his mother, Rebecca, who was subsequently given a diagnosis of bipolar disorder. This is the worst thing anyone’s ever said to me-but at least it’s so crazy that I can use it.’ ” On “Please Like Me,” in which he played a gay twentysomething also named Josh, he restaged the breakup almost word for word.Īs with many contemporary comedians, mining unpleasant experiences for humor-even tragic ones-is second nature to Thomas. I would so much prefer it were my personality, or anything, than this. “I said, ‘Absolutely not! You should have lied! No one wants to be told that. I think it’s better that I tell you the truth.’ ” Thomas, who has compared his own face to a “melted candle,” mimed outrage to me, but he was suppressing a grin. And he said to me, ‘I really like you, but I don’t want to have sex with you. Thomas said of the ex, “We had had, like, a proper romance. If a story is good, his desire to tell it defeats any sense of self-preservation. If he decides that an anecdote is insufficiently interesting, he’ll abandon it, refusing entreaties to keep going. Whether onscreen, onstage, or off, he speaks quickly and editorializes often.
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Thomas, now thirty-three, is the creator of “ Please Like Me,” the Australian series that became a queer cult classic, and the American sitcom “Everything’s Gonna Be Okay,” about a teen-ager on the autism spectrum, which is about to begin its second season on Hulu.
“But it’s good narrative for you, isn’t it?”
“I’m a bit embarrassed now,” he admitted. They exchanged a few pleasantries-then, after the ex was out of earshot, he confided to me that the relationship had ended gruesomely. Upon entering, Thomas ran into an ex-boyfriend from Australia, who was vacationing in the city. I had never considered it before-I was twenty-eight! And they said, ‘Josh, what you need to do is, you need to ask questions, and then listen to the answers.’ ” Glancing around the theatre incredulously, he asked, “Have you guys heard about this?” After the performance, I walked with him to the West Village, eventually ducking into the bar, Julius’, in search of food. “I asked my friends how I could be better at socializing. “I don’t like being alone, but I’m not good at being around people,” he’d told an audience earlier that night, at the SoHo Playhouse. It was March, 2020, and he was touring with his standup show “Whoopsie Daisy,” in which he riffed on, among other things, the loneliness he’d faced after moving from Melbourne to Los Angeles. The Australian comedian Josh Thomas was at the oldest gay bar in New York, debating how much to say about a breakup. This content can also be viewed on the site it originates from.